A village we know nothing about, a village covered by snow and forests, somewhere in the north. A family is living in an isolated house near a lake. Alexi, the brother, is a young man with a pure heart, a lumberjack. Subject to epileptic fits, ecstatics by nature, he is at one with the nature around him. Alexi is very fond of his younger sister, Hege. Their mother is blind while the father and younger brother watch this compulsive love. A foreigner arrives, a young man who is just a little older than Alexi... 　　烂番茄小组： 　　http://www.douban.com/group/rottentomatoes/

伊塞克湖岸边住着一位高龄历史教师，他唯一的女儿已经逝世。他相信一个古老的传说：吉尔吉斯斯坦人从不吃圣湖中的鱼，因为其中有着祖先的灵魂。他的邻居Askhat则以偷偷捕鱼谋生，而邻居11岁的女儿Jyldyz从内心深处反对捕鱼。她很相信传说，也不吃鱼，所以很难理解家人和朋友。 当老人的妻子去世时，他想用古老的习俗埋葬妻子，但邻居却将自己的想法强加给老人，反对公认的传统。

芬兰拥有约18.8万个湖泊，被誉为“千湖之国”。本片是一部关于芬兰湖泊的纪录片，带领观众进行一场前所未有的冒险，从清澈的泉水一直到大湖的盆地，让大家领略一个全新的水下自然世界，以及芬兰的古老故事、神话和信仰。

在一个名为高山湖的美国小镇，静谧的夜幕下响起刺耳的警笛。女警长梅瑞狄斯·赫尔南德兹（莎拉·玛卢库·莱恩 Sara Malakul Lane 饰）抓住了在逃罪犯克林特·格雷（杜夫·龙格尔 Dolph Lundgren 饰），此后收养了克林特年幼的女儿卡莉（Lily Brooks O'Briant 饰）。如是过了五年，梅瑞狄斯和卡莉亲密无间，形同母女，当得知克林特即将出狱并且法院要将卡莉还给对方时，她的心中升起重重愁云。与此同时，小镇发生熊袭击人的事件。警方据此发布警告，然而一位生物学家研究发现，肇事者实则是一头能在淡水中生存的牛鲨。 　　谁也不曾想到，重获自由的克林特与杀人牛鲨有着千丝万缕的联系……

该剧讲述了1949年，在古都北平城内情势错综激荡、瞬息万变的时局下，共产党领导人和国民党华北守军最高指挥官傅作义在“战与和”问题上作出人心所向的抉择，赢得北平和平解放的故事。

该剧讲述了1949年，在古都北平城内情势错综激荡、瞬息万变的时局下，共产党领导人和国民党华北守军最高指挥官傅作义在“战与和”问题上作出人心所向的抉择，赢得北平和平解放的故事。

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

「高等人和低等人的分别，就在于前者无惧于和随时准备挑战不幸。」尼采如是说。拉夫狄亚兹镜前的罪恶克星干探虽非此中信徒，却百分百锲而不舍，坚持向前菲律宾总统杜特尔特的血腥手腕和谎言政治说不。前作《涌浪之后》突破扫毒梦魇，勇探今回要重启一宗沉埋十五年的悬案，追查有「菲律宾飞鹰」之称的艺术家运动分子死因。荒地迷湖，人性难辨；实时进行的长篇叙事，令观众如亲历案情披示，渐悟即或没有破不掉的罪案，仍有绵绵不绝的遗憾和痛苦。

「高等人和低等人的分别，就在于前者无惧于和随时准备挑战不幸。」尼采如是说。拉夫狄亚兹镜前的罪恶克星干探虽非此中信徒，却百分百锲而不舍，坚持向前菲律宾总统杜特尔特的血腥手腕和谎言政治说不。前作《涌浪之后》突破扫毒梦魇，勇探今回要重启一宗沉埋十五年的悬案，追查有「菲律宾飞鹰」之称的艺术家运动分子死因。荒地迷湖，人性难辨；实时进行的长篇叙事，令观众如亲历案情披示，渐悟即或没有破不掉的罪案，仍有绵绵不绝的遗憾和痛苦。